Switserland

Hirschhorn Thomas

1957 - Switserland

 

Thomas Hirschhorn was born in 1957 in Bern (Switzerland). He studied at the Kunstgewerbeschule Zürich from 1978 to 1983, and moved to Paris in 1983 where he has been living since.

 

His work is shown in numerous museums, galleries and exhibitions among which the Venice Biennale (1999 and 2015), Documenta11 (2002), the 27th Sao Paolo Biennale (2006), 55th Carnegie International, Pittsburg (2008), the Swiss Pavillion at the 54th Venice Biennale (2011), La Triennale at Palais de Tokyo, Paris (2012), 9th Shanghai Biennale (2012), Manifesta 10 at Saint-Petersburg (2014), Atopolis Mons (2015), South London Gallery (2015), Kunsthal Aarhus (2017), Fotogalleriet, Oslo (2017), The National Gallery of Kosovo (2018), MoMa PS1 (2019). Thomas Hirschhorn’s ‘Presence and Production’ projects include “Robert Walser-Sculpture”, Biel, 2019, “What I can learn from you. What you can learn from me (Critical Workshop)”, Remai Modern, Saskatoon, 2018, the “Gramsci Monument” in the Bronx, New York, 2013, “Flamme éternelle” at Palais de Tokyo, Paris, 2014, “Sperr” at Wiesbaden Biennale 2016 and the “Bijlmer Spinoza Festival”, Amsterdam, 2009. Selections of his writings are published in English: “Critical Laboratory: The Writings of Thomas Hirschhorn”, MIT Press (October Books), 2013, and in French: “Une volonté de faire, Thomas Hirschhorn” Macula, collection Les in-disciplinés-e-s, 2015.

 

The book “Gramsci Monument” was published in 2015 by Dia and Koenig Books. With each exhibition in museums, galleries and alternative spaces, and in his 70 works in public space, Thomas Hirschhorn asserts his commitment toward a non-exclusive public. Thomas Hirschhorn has received awards and prizes, among which: “Preis für Junge Schweizer Kunst” (1999), “Prix Marcel Duchamp” (2000), “Rolandpreis für Kunst im öffentlichen Raum” (2003), “Joseph Beuys-Preis” (2004), the “Kurt Schwitters-Preis” (2011) and the Prix Meret Oppenheim (2018).

Hirschhorn Thomas - My Cross My cross

2010 - Paper, tape, marker, pieces of magazines - 88,7 x 113,5 

Rondinone Ugo

1964 - Switserland

 

Ugo Rondinone (born 1964) is a New York-based, Swiss-born mixed-media artist noted for a range of contemporary paintings and sculptures. Rondinone is widely known for his temporary, large-scale land art sculpture, Seven Magic Mountains (2016–2021), with its seven fluorescently-painted totems of large, car-size stones stacked 32 feet (9.8 m) high. The installation's organizers, Art Production Fund (APF) and the Nevada Museum of Art, estimated that 16 million people would see the work—from its location just south of Las Vegas, alongside Interstate 15, the primary Los Angeles – Las Vegas interstate.[3]  Ugo Rondinone was born in 1964 to Italian parents in the resort town of Brunnen, Switzerland.

 

Rondinone emerged as an artist in the 1990s. Rondinone's paintings are noted for their brightly colored, concentric rings of target-shapes; strictly black and white landscapes of gnarled trees; and large rainbow signs. In 2013 he exhibited an installation called Human Nature, a group of monumental stone figures in Rockefeller Center, Manhattan—resembling rudimentary rock totems.

 

Rondinone Ugo - Still Life (Clay Nude)

2012 - Cast bronze, lead, paint - 24,2 x 19,5 x 23

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